This page is a work in progress to attempt to showcase newly discovered choral and vocal arrangements, while at the same time sharing resources with colleagues of previous material I have performed, worked with, taught, or programmed for various projects and ensembles.
Repertoire Project This project was done during my senior year at UW-Eau Claire in an attempt to program an entire years worth of music for a high school ensemble. My assignment features notes and descriptions of twenty selected pieces (with emphasis on central concepts) and a two-page summation of how I would program and order the pieces during the course of the year.
Solo Repertoire List This is the solo repertoire list I compiled in November 2011 from the semesters of voice I took at UW-Eau Claire under Mark Mowry. I organized these pieces by languages and genres, for the graduation application process for the University of North Texas and Indiana University. This will soon be updated to include my forays into musical theatre.
Vocal Jazz Repertoire Lists Here is a 4-page document with minor details of pieces that I either picked up along the way as an intrigued prospective vocal jazzer through my own means, or music that I received during a two-day workshop through the Wisconsin Center for Music Education in August 2011. It shall soon be updated to include scores I received in my second Vocal Jazz Institute outing this July. I am constantly always working on my own sight-reading and musical analysis in my spare time, and reading different voicings and collecting my own thoughts about many of these charts was wonderfully difficult - please contact me if you have any particular questions, and I'd love to share some of my small insight!
The following a compilation of the music my group Soundscape and I programmed during the one and half years I sang Bass and served as the primary music director and arranger for the group. Jazz was not by any means a forte of mine in high school (though I did sing some Kirby Shaw arrangements and originals while attending the Shell Lake Arts Center Showchoir Camp), and it was an interesting process to switch from an a cappella pop oriented group to one that sought to spread the often-viewed-as more "academic" stylings of The Real Group, Gene Puerling, Duke Ellington, Cole Porter, etc. The asterisks mean I learned and performed them with Voces at the Viennese Ball, but I consider them pop/jazz pieces and wanted to include them in this listing!